From the mariachi’s booming guitarron on “Cielito Lindo,” to the powerful accordeón in Los Tigres del Norte’s “Ni Parientes Somos” to even the trap drums of a Natanael Cano corrido tumbado, the sound ...
Crisp, warm, responsive. The National Symphony Orchestra (NSO) is on a journey to meet these benchmarks under the baton of music director Gianandrea Noseda. One of the ways in which he's shaping a new ...
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